Monday, October 17, 2011

Thank you, Elizabeth Lyon. (I think.)

         

For ten years, until the end of 2010, I was an associate editor for Elizabeth Lyon’s Editing International.Under her guidance, I worked on 10-12 projects a year, learning to identify strengths of manuscripts as well as weaknesses and/or missing elements. I learned how to model ways to convert “information dumps” into bits of backstory woven into the tale and how to link that backstory and description to character development. I learned to demonstrate how to turn narrative into dialogue and how to inject conflict and subtext. I learned how to link description to action and point of view, and how to enhance character voice and author style . . .
During those ten years I edited for writers who disputed every word of my evaluations and for those who wrote to thank me for my suggestions and kept me updated on their progress toward publication. I edited for writers who probably still have my photo up on their dart boards, and for one or two who became friends.
By the end of that decade, I was pretty good at editing. And I was so tired of it I couldn’t wait to retire.
I came to think of it as having the job of carving the Thanksgiving turkey for a hungry group already gathered at the table. There was no time to admire the bird. I had to slice it apart and get it on the platter.
Other days I thought of editing as looking through a window at an awesome view for a moment, then focusing on the smudges and streaks on the glass, the cracks and chips, the fact that it was only a single pane and not insulated.
Editing changed the way I responded not just to the manuscripts that came across my desk, but to every book I opened.
So, thank you Elizabeth Lyon, for making me aware of what makes characters feel real, what makes dialogue sound like conversation overheard, what makes a story satisfying, layered, rich, memorable.
Thank you for insisting that I demonstrate and model as I evaluated. Because of that, I internalized elements of novelcraft that previously I’d struggled to learn.
And—sigh—thank you for making me aware of all the reasons that a book might fall short. My search for missing elements and weak spots made me better able to see the flaws in my own projects.
Thanks to you, Elizabeth Lyon, I’m a better writer than I was when you first asked me to “take a look” at the mystery written by a client.
But, thanks to you, Elizabeth Lyon, I’ve grown impatient. If a book doesn’t hook me in the first few pages, I put it down. If an author writes away from a critical scene, summarizes a fight in narrative, gives me talking heads in a generic setting, or intrudes to explain something, then I close that book.
Thanks to you, Elizabeth Lyon, I’m so aware of the skeleton beneath the skin, of the muscle and meat and tendon, that it’s difficult for me to see the whole Thanksgiving turkey, to simply enjoy the experience.
Thanks, Elizabeth Lyon. You made me the reader I am today—picky, picky, picky, picky.

http://elizabethlyon.com/

Monday, October 3, 2011

My fantasy life becomes a book

There has been all kinds of speculation about why people write stories. But most would agree that it's a way for them to work through unresolved personal issues, gain perspective on the events of their lives and, in some cases, wreak revenge on people who have wronged them by using fictional characters as catharsis. I co-wrote The Hermit of Humbug Mountain because of a night of terror (all created by the overactive imagination of the precocious 9-year old me) spent wandering around lost on an Oregon Coastal headland. 

Shotgun Start, my hard-boiled detective novel set on the high desert of New Mexico, is, in part, the fulfillment of a life-long fantasy--to be skilled enough at a sport to compete at the highest levels. I have to confess, I have recurring dreams about soaring above the rim and over the hands of the athletic giants of the NBA. Mike Nettleton, the greatest six-foot tall, white, non-jumping power forward in the history of the game, that's me. At 62, I still fantasize about throwing a curve-ball that fools even the most accomplished hitters in major league baseball. A-Rod. Whiff. Ichiro?--sit down bud !!! And golf? I'm totally delusional. 

I've played the game since I was twelve years old, taken lessons from a dozen pros, all of whom, after taking a look at my swing would shake their heads and ask me if I'd considered taking up bowling. "At least you don't have to go look for the ball," one of them told me. As hard as I've worked at it and as much as I practice, I'm only a slightly-above average golfer. Depending, of course on your definition of average.


Creating the character of Neal Egan for Shotgun Start let me live vicariously, as the disgraced former cop hustles rich suckers on the tightly manicured fairways of the country clubs and resort courses of central New Mexico. Neal's talent is offset by the disaster that is his personal life and the danger he faces when his ex-wife's lover is shotgunned to death and the police believe he might be an accomplice. His inability to stay out of the investigation leads him into a world of murderous bikers, the methamphetamine trade, internet pornography and the Mexican Mafia. 


Here's a question for you. What is your longest held secret fantasy? What would you have liked to have done, that you never had the chance (or ability) to do? Would love to hear about it.

Friday, September 2, 2011

A Truce in the War on Drugs

     
 
 
Since we've been beating ideas back and forth for reducing the national debt and making the federal government operate within its means, how about we put an end to the war on drugs? This multi-billion dollar boondoggle has been underway since someone in the Nixon administration noticed that most of the anti-war protestors were dope smokers and continues to suck money and resources out of our country to this day.
     Let's face facts. You are never going to make any significant impact on drug use by trying to impede the supply. People have always used substances to alter their reality and always will. Sometimes the substances are food or caffeine, sometimes they are marijuana and methamphetamine. Even gambling is a form of escape from ordinary conciousness. Some would even argue cell phones have become a nationwide addiction. Certainly, they cause their share of traffic accidents.
     Now, before you write this off as a rant by some drug-ingesting overaged flower child, let me reassure you. One drink is a big party night for me. I no longer smoke marijuana, although I will admit it's part in my distant history. I don't smoke cigarettes, drive too fast, or eat magic mushrooms. I will admit to a skinny white-chocolate mocha three or four times a week. A party animal I'm not. 
     I also recognize that drugs and alcohol ruin many lives, fracturing families, causing horrible traffic accidents and sometimes leading people to commit acts of violence. But . . . 
     The only thing we accomplish by tightening the supply of drugs and arresting users is filling our prisons and jacking the prices of the drug to levels that make organized crime organizations more determined to find a way to get the substances to those willing to pay the freight. 
     Many states, Oregon and Washington included made it harder for small-time crank cookers to put their hands on large quantities of pseudo ephedrine which is used in the manufacture of speed. In succeeding, they froze out many biker gangs and the like who were producing meth in smaller quantities, but created a very lucrative opportunity for organized crime families to import the product in bulk from Mexico and sell it for escalated prices. When we sprayed paraquat on Mexican marijuana plantations, choking off the supply of the cheap, relatively mild weed many children of the sixties remember cashing in their pop bottle money to buy, they helped provide stimulus to the massive marijuana plantation of Northern California that grows more potent and much more expensive cannabis. 
     The other argument you hear against legalizing drugs goes like this. If it's legal, that's telling kids it's acceptable and young people who wouldn't otherwise try drugs will light up. This rationale has been dreamed up by people who either (a) don't have kids (b) don't spend much time around their kids or (c) don't remember what it was like being a kid. For the kids who do choose to use, the very illicit nature of the drug, the danger involved in using it, is part of the attraction. Being a kid is all about defying your parents and what better way than to risk jail with your behavior.  The more we can do to shift the depiction of drug users from glamorous outlaw to pathetic losers who need help, the better off we'll be.
     Here's a common sense approach. Lets legalize all heretofore illegal drugs. Pot, cocaine, heroin, methampetamine, whatever. Create government run stores that would sell regulated amounts of the product to registered users at a fair market price. Use any money generated, after you pay the store's employees and the people who make or grow the substances their cut, to create large-scale rehab programs. Have signage in the stores and run TV and internet ads reminding addicts that they can get into a rehab program instantly to quit their destructive habit. 
     What would this accomplish? First it would take the profit out of drugs and freeze out organized crime and the violence associated with it. Second, it would allow us to identify and treat people with drug issues. Third, the sucking sound of "The War on Drugs" billions circling down the drain would no longer be heard. Instead we'd move the balance sheet into the black and finance programs to rehabilitate drug users. 
    One caveat before I give you a chance to have your say. Despite being against jailing people for drug use, I am for being harsh on people's actions when under the influence of controlled substances. If you amp up on meth and run your car into someone and hurt or kill them, I'd be against you seeing the light of day ever again. If you rob a convenience store at gunpoint for the money to feed your habit, you should also go away for an extended stay behind bars (with a chance at rehab while in). If you abuse or neglect your kids because of your drug use, we should find them new families.
     Instead of hacking programs intended to help the poor and elderly, why don't we look at some common sense ideas for putting a dent in our national debt. I welcome your thoughts.





    

Friday, August 19, 2011

Mellowing Out

Max: Mom says we need to learn a new trick. We need to learn to mellow out.

Bubba: Yeah, Dad says the same thing, but he says we’ve got to chill.

Max: I don’t know if I can learn any more tricks. I already do roll over, jump, dance and drool on dad’s pillow.

Bubba: Mellowing out isn’t a trick, it’s a state of being.

Max: Like the beings Mom puts in salad.

Bubba: Beans. Those are beans. Black beans, white beans, garbanzo beans.

Max: And carrots. She puts carrots in the salad. I like carrots. And celery.

Bubba: (Sighing) Mr. Attention Span. Okay, try to concentrate. (She flops to the floor) See, this is being mellow. Notice that I’m calm and quiet.

Max: Quiet. Sure, I get it. That’s what Mom wants us to be so she can write.

Bubba: And so we don’t have to go to the timeout place.

Max: You mean Dad’s office in the basement. He’s got a nice sofa and soft pillows and sometimes he eats snacks and drops stuff on the floor and after a while he lets us out.

Bubba: And then we run up and jump on Mom’s lap and tell her we’re sorry.

Max: But you’re really not because in a few minutes you’re sitting on the back of the loveseat and barking at anything that moves on the street.

Bubba: Oh, like you’re perfect. Every time that cat comes into our yard you yap your head off and keep going even after I stop. And don’t get me started about the day you chased the fly up and down the stairs.

Max: It was a big fly. It had a wingspan like an eagle.

Bubba: Eagle, schmeagle, it was a fly. A housefly. A baby housefly.

Max: Okay . . . well . . . so . . . but that fly had big teeth. You just didn’t see them. Besides, it’s my job to chase stuff that gets in here ‘cause I’m younger and faster and I have to protect Mom and Dad because they have opposable thumbs and credit cards and they buy the dog cookies.

Bubba: Well, I’m older and slower and it’s my job to bark at stuff on the street so it goes away and doesn’t get in here in the first place. I can’t mellow out and protect the house, too.

Max: Right, ‘cause if you were mellow you’d sound about as mean as Dad when he tells me to get off his pillow. You’d be all like, “Yo, dog on the street, don’t mean to bother you, dude, but you’re blocking my view. Would you mind shaking a leg instead of your tail?”

Bubba: I’m an intelligent female dog. I’ve never said “dude” in my life.

Max: (Sticking out his tongue) Wrong, you just did. Guess you’re not that intelligent after all.

Bubba: (Snarling) Oh, go chase a fly.

Max: (Sprawling on the bed) Later, dudette, right now I’m chilling out.

Wednesday, August 10, 2011

Back-to-school sales, fresh starts, plot twists, and promises

I’ve never been one to rise early to hit the opening minutes of a pre-Christmas sale. In fact, I’ve never been one to get up late—or any time—to get a bargain on holiday gifts for friends and family.
It’s not that we don’t exchange gifts—although lately we’re more inclined to give to charity instead of to each other—but because all the twinkling lights, shiny ornaments, and seasonal music remind me of wishes unfulfilled and dreams that never came true.
I was never good at holidays. Perhaps if I’d read more realistic books things might have been different. But there was a wide chasm between reality and those fictional descriptions of love and happiness, making the best of things, genuinely encouraging each other’s success, and building enduring togetherness. Too grounded in the way I wanted things to be, I did little to bridge that chasm, and now the memory of it overshadows the season.
Back-to-school sales, however, draw me in like a bass to a wiggling lure. I love to riffle the pages of blank notebooks, touch pens as yet untried, inhale the smell of new pencils, erasers, and glue sticks. I love the slick stacks of rulers and index cards and notebook dividers with colored tabs. I love to zip and unzip backpacks and imagine what will go into the pockets. I love new shoes and shirts and jeans. I love to see kids with fresh haircuts and eyes wide with a mix of fear and excitement and confidence.
But most of all, I love the sense of promise.
Like the pages in those new notebooks, the days of the school year ahead are blank pages on which students will write. There are possibilities and opportunities, tests to be aced and scholarships to be won.
And there are human dramas that, like a mystery with a plot twist in the middle, could change direction and have an ending other than the one we might expect. Struggling students could, this year, make connections. Shy kids could come out of the shadows at the back of the room. A bench warmer could win the big game. The girl who always painted sets for the drama club could get the starring role.
A back-to-school sale energizes me and makes me think about the possibilities in my own life. It makes me eager to plow into new writing projects and finish old ones.
And, to make sure that feeling comes home with me and lingers, I always buy a fresh notebook, a new pen, and a pack of pencils.

Friday, July 29, 2011

The Candy Box Time Machine


            A few years back, my older sister gave me an old candy box. Across the top the words Gobelin Chocolates, share space with an illustration of three pieces of candy, one cross-sectioned to reveal a pink core. At the bottom of the faded and chipped yellow and blue box are the words 
"ALL SOFT CENTERS."        
            "What?" I asked with my eyebrows.
            "Love letters. From our father to our mother."
            The second question, also verbally unasked was why? Why are you giving them to me now? What am I supposed to do with them? He didn't talk dirty in them, did he?
            Recently, during my bi-decadal swamping out of my basement office, pool room and guy cave, I spotted the box on a bookshelf. Needing a break from cleaning (I'd spent a grueling ten minutes already), I pried off the lid and examined at a collection of envelopes, sent to my mother in the late fall and early winter of 1942 and 43.
            To read, or not to read?
            There are several good reasons I've held them in abeyance in the years since my sister dropped them on me.
            I can't get past the idea that, somehow, even though my mother died in 1983 and my father nearly ten years later, that I would be invading their privacy. My father wrote those letters for my mother's eyes only. Who am I, nearly seventy years later, to eavesdrop on a confidential correspondence?
            The second reason betrays the ego-centric tunnel vision of most human beings. Since I wasn't born until November 7, 1948, my parents, in my reality, didn't really exist prior to that time. Their life, as mine, didn't begin until that day. Oh, sure, I knew that all six of my older brothers and sisters were products of my widowed father's first marriage and my mother's earlier, unsuccessful relationship, but those were abstract concepts. The Carroll and Jo Eleanor Nettleton I knew were an older couple (I came along very late in their lives. Probably not a poster child for successful contraception), who worked hard at a variety of low-paying jobs,  were involved in their community, taught me life lessons by example, and supported me in everything I did or attempted to do. They were not, by any stretch of my young imagination, two people who'd carried on a love affair, either via mail or face to face, six years before my birth. No how, no way. Even now, at 62, the same age my father was when I started high school, the perception is hard to shake. Your mom and dad, for crying out loud, were never people. They were your parents. A totally different genus and species.
            Except here was the evidence, in a box that was once packed with sweet confections from a company in Cambridge, Massachusetts.
            I slid off the lid and drew the first envelope, dated November 2, 1942 out. Using my thumb and forefinger, I plucked out a single sheet, filled on one side with my father's small, neat hand, and began reading.
            Darling, Jo: it began. Over a period of several days I read most of the letters. Much of it was a chronicle of the trials and tribulations of two people, during the difficult days of World War 2, trying to come to grips with their feelings for one another and the complications caused by my mother's rapidly disintegrating common-law marriage. I was struck by the depth of my father's love for my mother and the heartfelt expression of his ache for her. He used fanciful words, (all G-rated, thank you very much) that I would have never guessed were in his vocabulary.
            I'm glad I read the letters, even though the mere mention of them still makes my eyes go moist. It brings my folks, gone these many years, back into sharp focus. It's almost like a blank silhouette of them has been suddenly filled with color and light and fully animated. They lived, they loved, they did the best they could. It's all any of us can hope for.

Thanks, sis.

Goblin Chocolates
"ALL SOFT CENTERS"

Tuesday, July 19, 2011

Existential Highwayism


I came within inches of being involved in a nasty wreck Saturday night. Had it not been for driving the speed limit, my habitual use of side mirrors, good reflexes and even better brakes on my 06 Prius, I d have found myself scrunched against the guard rail of the southbound Marquam Bridge
      Like all traffic accidents or near misses, this one seemed to develop in a split second. A glimmer in the passenger's side mirror made me swivel in time to see a green SUV bearing down on me from three lanes over. I fought the impulse to crush the brake pedal, which would have sent me into a death spiral and make me a target for every car behind me. Instead, I let up on the gas, put heavy but steady pressure on the brakes and said a dirty word  As I slewed toward the guard rail, the SUV was on top of me in a nanosecond. Luckily, the driver chose to accelerate at the same time I slowed and his rear end cleared my front fender by something approximating width of his walnut-sized brain.
       Notice I used the words his rear end. Unfair, since there was no way of gauging the sex of the reality-challenged yahoo behind the wheel of the SUV. I couldn't see the driver through the tinted windows. Besides, it's irrelevant. But I'll use he, for convenience sake in the rest of this blog.
      He sped away. I said another, much dirtier word and leaned on my horn. Several other drivers joined in venting with me.
       I reached Lovejoy Fountain, where I was performing for the final time in the Portland Actors Ensemble production of TheTempest without further incident.  As I prepared for the show's opening, I found myself wondering what the driver of that Utility Vehicle had been thinking when he made that multiple lane change and nearly hit me.
       Was he drunk? Texting a restaurant reservation in? Playing charades with the other occupants of the car? Was his thinking limited to the simple realization "I'm over here, I need to be over there?  Did the concept that there might be another car in the space he wanted to occupy even cross his mind? Did he think the other car (me) had a lot of nerve being there.
       How about the aftermath of the inches-from-disaster incident. Did he realize how close he came to causing a freeway tangling multiple vehicle crash? What did he think the hallelujah chorus of car horns chasing him down the 405 was about? Did he try to laugh it off and try to rationalize it to his white-knuckled passengers?
       Living in an urban environment and driving in the worst examples of Portland's gridlocked morning and afternoon traffic for 16 years, I've witnessed numerous incidents of what my wife calls "Existential Highwayism."
       People back out of driveways into the flow of a busy four-lane street without looking, taking it on faith that the other drivers will stop for them. Texting pedestrians step off a curb and into the path of onrushing vehicles without glancing up. "I'm in a huge hurry" types tailgate at eighty miles per hour while checking their voice mail.
       Let's be honest. All of us, at one time or another has let our attention waver and have caused or nearly caused an accident. But the lack of focus behind the wheel seems to have grown to epidemic proportions.
      Blame technology. With all of the distractions built into today's lifestyles, we've become a society that believes it's own hype about multi-tasking. Focusing on one thing and performing it to the best of our abilities is "so day before yesterday." This would not only explain the actions of the driver who nearly T-boned me, but the driver I saw playing a ukulele and reading the funnies at a stop sign the other morning.